The Latest ...

  • SATURDAY

    20SEP

    New dates, music legends and a wedding!

    We’re looking forward to the rest of the year which kicks off on September 27th when we play at Perth Concert Hall with The Springsteen Sessions Band! Then on October 4th we’ll be kicking down the doors at Dukes Corner in Dundee! Read more.

  • SATURDAY

    28JUN

    Twa Tams rescheduled & Springsteen Sessions show

    Unfortunately we've had to rearrange our 19th July show at the Twa Tams in Perth for later in the year, we'll keep you up to date with all new live dates via our shows page, however every cloud does indeed have a silver lining and we've been invited to join The Springsteen Sessions band at Perth Concert Hall on Saturday 27th September. Read more.

  • FRIDAY

    23MAY

    We’re bound for Belladrum!!

    2014 keeps getting better & better with the news that we’ve been invited to this year’s  Belladrum Tartan Heart Festival to play the Potting Shed Stage! This stage is run by Medicine Music’s Rob Ellen, a champion of roots Americana music on these shores for many years now, in his own inimatble style here’s how he describes the event. Read more.

  • Monday

    19MAY

    RWJ at Perth Concert Hall

    We had a great time at Perth Concert Hall opening for Roll Wyn James, our good friend Stuart Blance camera along and took some shots. We were honoured to have special guests Victoria Rice on vocals and the extremely talented Miss Gillian Bean Ramsay on violin!

    We have added a selection of new photos to our Media page. Please check them out here.

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  • Monday

    12MAY

    Lonesomehighway.com

    Drawing from the irresistible Stones countrified swagger and such catholic roots influences as The Band, Byrds and later bands like Whiskeytown and Drive-by Truckers gives the New Madrids their musical seasoning. This five piece have a bedrock rhythm section topped with guitars, keyboards, mandolin and pedal steel before adding additional guest textures that include brass, violin and guest vocals; one of which, recorded in Austin, is Brennen Leigh.

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  • Monday

    17MAR

    Flyinshoes

    With The New Madrids’ debut CD Through The Heart Of Town already causing critics and reviewers to sit up, take note and even tap a tastefully-tooled cowboy boot, it was with some anticipation that Aberdeen punters turned out for the Blue Lamp show. Although numbers could and should have been higher, those who did attend were treated to nearly two hours of stunning Americana, filtered through the consciousness of five wonderfully-talented men of Perth and Perthshire.

    With dual vocalists Donny McElligott and Ian Hutchison alternating at the main vocal mic and a scorching virtuoso performance on Telecaster, lap steel and pedal steel by Owen Nicholson, this was as good a performance as the Lampie audience has witnessed for as long as I can remember.

    Basing their set around the album, playing all ten tracks, the Madrids mixed up country, rock, soul and blues, tearing down, as the late Michael Marra said, “those foolish walls” in defiance of the genre cops and proving that where these forms meet and meld is a glorious sonic crossroads.

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  • Monday

    24FEB

    Paul Kerr

    It was a sad day for Scots music when Perth based Southpaw called it a day a few years back. Their take on classic Americana was of the finest order with their album Buffalo Mansions one of the better UK country rock albums of recent years. So it was welcome news indeed that the nucleus of the band had regrouped under the moniker The New Madrids with a new singer/guitarist Ian Hutchison fronting the solid rhythm section of Calum Keith and Maurice McPherson while Donny McElligott and Owen Nicholson man the guitars with Hutchison and McElligott sharing lead vocal duties. With the new name comes a tougher sound and while at heart they remain a country rock band there’s a sinewy swagger to some of the songs here recalling the peacock strut of the Stones in the early seventies with hints of Free and Little Feat. Indeed on one song, Shake, they import horns and deliver a classic blue eyed soul song that drips with passion as it builds to its climax. McElligott rivals Frankie Miller in the vocal department, the guitar solo is an exemplar of understated Southern cool and the pedal steel swathes all in honeyed regret as the towering horns (by Bruce Michie) burst with a Stax like majesty. Very impressive. Read More

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